We here at Engine Audio were looking for a way to test the new integration of the FMOD audio system on the iPhone platform. So we developed an FMOD soundbank testing application for the iPhone simulator.  Firelight Technologies, creators of the FMOD engine, provides great example projects to help get people started with their system. This project expands on some of their ideas incorporating a few of the tools into one app.

- Test FMOD Soundbanks!

- Manipulate FMOD’s effect parameters (distortion, flangers, phasers, filters, verbs)!

- Connect to the FMOD Designer in real-time!

The application is made up of two main windows:

The first is a list of all of the sounds in the current sound bank.  Each sound is automatically loaded and can be controlled from the play and stop buttons. The sliders allow you to adjust up to two real-time effect parameters.

With the second screen you can adjust both effect parameters at once using a single touch.  As you move the touch around on the screen the sound is played and the two parameters are changed in real-time.

Download the XCode Project HERE!

Installation:

This application requires XCode with the iPhone SDK installed, along with the FMOD EX Programmers iPhone API from Firelight Technologies. Download them here:

XCode(v3.2.1) + iPhone SDK (v3.1.2)  sign up to be a iPhone dev for free-

http://developer.apple.com/iphone/

FMOD EX Programmers iPhone API (v4.28.07) -

http://www.fmod.org/index.php/download

Unzip the contents of engineaudio_fmod_soundbank.zip to:

/Developer/FMOD Programmers API iPhone/fmoddesignerapi/examples/

Open project in XCode and press “Build and Run…”, it will launch the iPhone simulator and the application

To use custom sounds: delete any .FEV and .FSB file found in the Resources directory of the XCode project.  Replace them with your own soundbanks generated from the FMOD Designer.

Thanks to Firelight Technologies for the all of their support of the FMOD engine.

For more information download the excellent FMOD tutorials at:

http://www.fmod.org/index.php/download

You can always find me at: chris@engineaudio.com

Epic Games just announced that they were able to get the Unreal Engine to run on the iPhone/iPod Touch. This is quite amazing considering the limited resources available on the iPhone and the massive requirements of Unreal. The guys from AnandTech got a private tech demo from Epic Games to demonstrate how it works. Currently there are no announcements about licensing or availability to the public, but supposedly there is more to come in 2010. They are working on optimizing the graphics and the controller scheme, OpenGL ES 2.0 is now being used for the graphics engine. The video above shows control with a touchscreen in a classic d-pad interface, but Mark Rein from Epic says they are trying out other options.

It is exciting to see an engine as powerful as the Unreal Engine running on the iPhone. It shows that mobile platforms are becoming viable for realtime 3d gaming, and that game engines can be streamlined enough to run on them. Each generation of the iPhone is going to be more powerful, it won’t be too long before mobile processors can compete with current gen consoles.

Check out the link:
http://www.anandtech.com/gadgets/showdoc.aspx?i=3695

We here at Engine Audio have been working tirelessly for the past couple of months on new curriculum for Full Sail University. We have developed a full course called “Advanced Interactive Audio” which discusses game audio topics ranging from sound design and technology to implementation and testing.   The students are using industry standard tools to develop their own custom sounds for a demo game. The students are taught about the structure of a game team and how to get a head start in the industry.  They are lead through the complete process of creating audio for games, from the concept and design stage to creating their own sounds for an interactive audio system.

Asset creation is done in Pro Tools, with access to an amazing sound library, which can be used to supplement their own sounds they have recorded. The introduction to an interactive audio system and prototyping is done with the FMOD Designer.  Students learn about the basics of an interactive game audio system including 3d positioning, randomization, and real time parameters. Students also learn about preparing assets for mobile platforms using the iPhone Simulator and the FMOD Designer.  They create FMOD soundbanks specifically for the the iPhone, then test them out by manipulating them with real-time parameters and randomization.  The student are then required to implement all of the assets they have developed into a custom level using the UDK toolset provided by Epic Games.

Material Created for the Class:

Over 70 hours of class time in a month long series of Lectures and Labs

Hours of instructional videos on the use of FMOD audio system and the UDK engine

Over 100 pages of information on using and mastering the FMOD Designer and the UDK engine

Custom UDK sound design level with environments like a cave, factory, snowstorm, and cityscape.

An iPhone Simulator app for testing soundbanks created from the FMOD designer

A BIG THANKS to all the great developers of the tools that we use for the class.  FMOD by Firelight Technologies is a total audio solution for games that is available freely for educational and non-commercial purposes.  It is one of the most widely used audio engines on the market and their people are a very friendly and helpful bunch.  Epic Games recently released their extremely popular Unreal Engine to the public as the Unreal Developers Kit.   It contains the same set of tools that the professionals use to make hit video games.  This gives our students the chance to stay current on the most popular tools for game audio developement.

A partnership between Audiokinetic and McDSP has brought two new real-time plugins to the WWISE game audio pipeline. The ML1 is a brick-wall limiter,  and the FutzBox is a distortion and speaker simulation.  These tools are providing sound designers with more choices during the production of their game. Many times to get the sound that you want the effect has to be “baked in” to the file to maintain a certain quality. With the development of more real-time plugin effect options it gives an opportunity for the asset creator to that mimic how they work in a DAW and leave decision like these to later in the process.

“McDSP plug-ins are a staple for many game developers as essential audio production tools. With the release of Wwise 2009.3, McDSP effects will be available in the Wwise audio engine for sound rendering, and as real-time effects on a variety of gaming consoles. We’re pleased to be a part of Audiokinetic’s growing platform”, says McDSP founder and CTO Colin McDowell

Welcome to the new Engine Audio site redesign! As we attempt to expand our reach we come up with a couple of new way  to keep in touch.

All of our latest videos are available through our YouTube Channel.  We will keep this up to date with not only our video content the best links to the best videos from across the net.

Follow us on twitter @engineaudio. For all of the thoughts that don’t quite make it quite to the from page of this site.

Our RSS feed can bring the news from the front page of our site direct to your favorite news reader.  Stay informed on the latest from Engine Audio.

As always you can reach us by email at info@engineaudio.com.  Send us an email and let us know what you think of the redesign.

Beyond our home here on the the net.  Here are some of the other great sites that we frequent.  They are some of the most helpful resources discussing audio for game on the web. The group of people that frequent these site are industry professionals.  We try to contribute any way we can,  but mostly we are there to learn something new.

Game Audio Forum

FMOD Forum

ModDB

Epic Games Forum